REAL TIME EVENTS
AGO. (2020). Audio Magic.
AGO. (2021). Multisensory Museum: Mingyan Wei.
Ai-Media. (n.d.). The magic of live captions for students with ASD.
Ai-Media. (2016). Live Captioning Explained in 12 Seconds.
Akimbo. (2021). Hanan Hazime Trades Trauma Art for Mad Joy.
Art in America. (2021).How to make Exhibitions and Art Events Accessible.
AsAm News. (2021). About AsAm News.
ASL Slam. (n.d.). Mission.
Attitude is Everything. (2020). How to make your live stream accessible for all.
B.B.C. (n.d.) Experiencing Music through Sound Vibrations.
Bodies in Translation. (2020). Relaxed Performance: Exploring Accessibility in the Canadian Theatre Landscape.
Caswell, E. (2017). How sign language innovators are bringing music to the deaf.
Cripping the Arts. (2021). Cripping the Arts.
Disability Arts International. (2021). Three Adventures in Accessible Music Technology (AMT).
Drake Music Scotland. (2021). Technology.
Emily Post Institute. (n.d.). Manners at a Performance.
Glennie, E. (2015). Hearing Essay.
Glennie, E. (2019). Evelyn Glennie bio.
Google. (2021). Chrome can now caption audio and video.
Great Big Story. (2017). Spoken Without Words: Poetry with ASL SLAM.
Hartford Courant. (2017). Colin McEnroe: Radio for The Deaf, Finding A New Wavelength.
Jarema, M. (2019). Seeing and Feeling the Music.
Mahler Chamber Orchestra. (n.d.) Feel the Music.
Music Matters in the UK. (2019). Inclusive Music Tech.
National Theatre. (n.d.). Relaxed Performances.
Ontario Human Rights Commission (OHRC). (2018). Policy on accessible education for students with disabilities.
Oxford Dictionary. (2021). Media.
RWM. (2021). Rendezvous with Madness Festival.
Salon. (2021). The world moved online during the pandemic, and that's just a start for better disability access.
Sesame Street. (2009). Evelyn Glennie Plays the Drums.
Shameless. (2021). Talking Back Feminist Conference.
Smithsonian Asian Pacific American Center. (2019). Introducing Elevator Pitch.
Sportsnet. (n.d.). Sportsnet.
Staes, M. (2019). Very Local New Orleans. Music Box Village’s Newest Addition Showcases Voices of the Deaf Community.
Sunday Sessions. (2021). Gaelynn Lea’s Sunday Sessions: LIVE weekly concerts with special guests.
Tangled Art + Disability. (2018). Accessibility Toolkit: A guide to making art spaces accessible.
Tate. (2018). No Woman, No Cry.
The Audience Agency. (2021). Outdoor Arts Audience Report.
The Colin McEnroe Show. (2017). In Facebook.
The Guardian. (2018). 'It's a cool time to be alive!' – fiddle sensation Gaelynn Lea on changing perceptions of disability.
The Guardian. (2021). The Linda Lindas on their viral song Racist, Sexist Boy: ‘It’s good to let the anger out and scream’.
Theatre Passe Muraille. (n.d.). Relaxed Performances.
University of Washington. (n.d.). Accessible Technology.
Vocal Eye. (2016). Describing Fireworks.
Whitney. (2016). ASL Slam at the Whitney.
Whitney. (n.d.). Edward Hopper – Early Sunday Morning.
Why Not Theatre. (2021). About.
Without Walls. (2020). Outdoors Arts Festivals and Events: Access Guide.
Toronto Metropolitan University. (2019). Cripping the Arts.
Violin Scratches. (2021). Gaelynn Lea biography.
Terms and Concepts Icon
Module Highlights Icon
LIVE CAPTIONS – ACCESSIBLITY IN REAL TIME
LIVE CAPTIONS - CAPTIONING STANDARDS
LIVE CAPTIONS – RE-SPEAK
Tangled Art Gallery retrieved from https://www.akincollective.com/blog/tag/tangled+art+gallery opens in new window
EXHIBITIONS - REMOVING BARRIERS
Eliza Chandler retrieved from https://www.ryerson.ca/disability-studies/people/faculty/eliza-chandler/ opens in new window
EXHIBITIONS – VERBAL DESCRIPTION
EXHIBITIONS – WRITING VERBAL DESCRIPTION
Edward Hopper retrieved from https://www.wikiart.org/en/edward-hopper/early-sunday-morning opens in new window
EXHIBITIONS – CREATIVE VERBAL DESCRIPTIONS
Drake Music Scotland
The Climate Reality Project/Unsplash
Feminist Media Conference retrieved from https://shamelessmag.com/blog/entry/tickets-sales-are-open-the-2021-talking-back-feminist-media-conference opens in new window
Cripping the Arts logo retrieved from http://artintranslation.ca/cripping-the-arts/ opens in new window
ReelAbilities Film Festival logo retrieved from https://reelabilities.org/
PERFORMANCES – INTERPRETING MUSIC AND LYRICS
Hulki Okan Tabak/Unsplash
Amber Galloway Gallego retrieved from https://about.proquest.com/en/blog/2019/seeing-and-feeling-the-music/ opens in new window
Image by Missmojorising opens in new window is licensed under the Creative Commons Attribution-Share Alike 4.0 International opens in new window license.
ART, MUSIC, AND SIGN LANGUAGE
Paul Raci retrieved from https://www.imdb.com/name/nm0705152/mediaviewer/rm1259656449/?context=default opens in new window
Christine Sun Kim retrieved from http://christinesunkim.com/work/elevator-pitch/ opens in new window
Why Not Theatre logo retrieved from https://whynot.theatre/ opens in new window
Marc Brenner. Pictured – Edward Harrison performing in Skellig retrieved from https://www.backstage.com/uk/magazine/article/how-to-act-in-a-relaxed-performance-67747/ opens in new window
CREATING RELAXED PERFORMANCES
ACCESSIBLE MUSIC PERFORMANCES
Evelyn Glennie retrieved from https://www.evelyn.co.uk/gallery/ opens in new window
The LindaLindas retrieved from https://thelindalindas.wixsite.com/rock/about opens in new window
ACCESSIBLE MUSIC PERFORMANCES
Attitude is Everything logo retrieved from https://completemusicupdate.com/article/attitude-is-everything-launches-new-accessible-employment-guide/ opens in new window
ACCESSIBLE MUSIC TECHNOLOGY
Skoog retrieved from https://skoogmusic.com/blog/technology-is-making-music-easier-and-more-accessible/
Gaelynn Lea retrieved from https://www.theguardian.com/music/2018/dec/14/gaelynn-lea-violin-interview-brittle-bone-disease